參考資料清單: Neo-Romanticism (RILM)

1. Gann, Kyle, and Allen Gimbel. 1999. "American music in the twentieth century." Notes: Quarterly journal of the Music Library Association 56, no. 1: 153.
2. Simmons, Walter, and Ralph Hartsock. 2005. "Voices in the wilderness: Six American neo-romantic composers." Music reference services quarterly 9, no. 2: 76.
3. Chlopicka, Regina. 1998. "Stylistic phases in the work of Krzysztof Penderecki." Studies in Penderecki 1: 51.
4. Du Preez, Stuart Kühn. 1997. "Elements of tradition in Wolfgang Rihm's Jakob Lenz." Ars nova: Unisa musica 29: 23.
5. Foreman, Lewis. 1997. "National musical character: Intrinsic or acquired?."
6. O'connor, Carol Ann. 1996. "A comparative stylistic analysis of selected solo vocal works by twentieth-century American women composers: Barbara Kolb, Ruth Lomon, and Judith Lang Zaimont."
   
7. Korhonen, Kimmo, and Timothy Binham. 1995. "Finnish composers since the 1960s."
   
8. Campbell, Mary Rameaka. 1994. "Tonal reform or radical tonality? A study of neoromanticism in American music, with an emphasis on the music and thought of George Rochberg, David Del Tredici, and Stephen Albert."
   
9. Lozier, Frederick Joseph. 1993. "Idiomatic, notational, and stylistic elements in the piano works of David Del Tredici."
   
10. Pritchard, Jane. 1992. ""The nostalgic world of fantasy": Some neoromantic elements in works by Ashton and Balanchine." Studies in dance history: The journal of the Society of Dance History Scholars 3, no. 2: 39.
11. Sulton, Randall Steve. 1992. "Aspects of the New Romanticism in William Albright's Five chromatic dances." University of Texas, 1992.
12. White, Danny Lloyd. 1991. "The choral music of William Allen."
    
13. Edwards, George. 1990. "The pleasure of its being over: A view of contemporary music." Partisan review 57: 414.
14. Boros, James M. 1990. "A conversation with Robert Moevs." Perspectives of new music 28, no. 1: 324.
15. Staehle-Laburda, Michael. 1990. "Ernst Krenek and the twelve-tone technique: A pilgrimage from Karl V through the seventh quartet." Newsletter of the Ernst Krenek Archive 1, no. 1: 1, 3.
16. Swan, Annalyn. 1984. "Romantic longings." Atlantic, USA : Vol. CCLIV/5 (November 1984) 134-36.
17. Burde, Wolfgang. 1984. "Young composers in the Federal Republic of Germany: The search for a new identity." Current musicology, USA : Vol. 37-38 (1984) 177-82.
18. Schwarz, K. Robert. 1986. "Mavericks of music." Horizon, USA : Vol. XXIX/5 (June 1986) 33-36. Portrait, discography.
19. Dennison, Peter. 1985. "Tippett and the New Romanticism." : (Tunbridge Wells: Baton, 1985) 175-90. Music examples.
20. Adler, Marvin S. 1973. "Get involved in the 20th century: Explore the known and unknown in contemporary music." Music educators journal, USA : Vol. LIX/6 (February 1973) 38-41. Music examples.
21. Wehnert, Martin. 1985. "'Neo-Romantik' im 20. Jahrhundert? Vom ungebräuchlichen Begriff zum Schlagwort / 'Neoromanticism' in the 20th century? From unusable notion to slogan." : (See RILM 1985-00731-bs) 7-17. In German.
22. Dennison, Peter. 1985. "Reminiscence and recomposition in Tippett." The musical times, United Kingdom : Vol. CXXVI/1703 (January 1985) 13-18. Illustration.
23. 1985. "[Dresden, 1984] 4. Romantikkonferenz 1984: Die Rolle der romantischen Musik bei der Herausbildung eines demokratischen Nationalbewusstseins. IV: Der Einfluss der romantischen Musik aus die Musikentwicklung im 20. Jahrhundert / 4th Romanticism conference, 1984: The role of Romantic music in developing a democratic national consciousness. IV: The influence of Romantic music on the evolution of music in the 20th century." : Vol. Sonderheft 8 (Dresden: Hochschule für Musik "Carl Maria von Weber," 1985) 122 p. In German.
24. Linton, Michael Roy. 1988. "George Rochberg's Concord Quartets: An analysis of grand romanticism in the twentieth century." : (PhD diss., Musicology: New York U., 1988) 2v. 436 p. DA 8812512.
25. Groemer, Gerald. 1984. "Paths to the new Romanticism: Aesthetic and thought of the American post-avant-garde as exemplified in selected tonal piano music." : (DMA doc., Piano performance: Johns Hopkins U., 1984) 158 p. Music examples, bibliography. DEQ 84-17618.